12 13 3 2 1 1 2 3 # 0 8 # 0 9 Living Equipment: Portable Spaces by Inés Ballesteros & Michela Dal Brollo How can we facilitate the projection and activation of temporary common spaces designing and using a shelter as a research tool? The workshopwill start in “Archipel” atelier with an introduction about the project “Living Equipment: Portable Spaces”, presenting the tools we will use to collaborate with a chosen location within Lucthbal. The equipment consists of a portable: oven, printing atelier, shelter, map and multifunctional cargo bike. After that wewill walk around Luchtbal andwork on our map looking for locations and urban elements to instal the shelter. How can we perform the shelter to infiltrate liminal spaces of the neighborhood and contribute to their future meanings? During the second and the third day we will set up the structure together with the students, looking at how it can adapt and collaborate with the chosen location. During the fourth day wewould like to collaboratewith the school to imaging togheter the possible activations that the shelter can host in the future, recording ideas and notes with the portable printer. Which kind of activities and actions are demanded or needed by the neighbours of Lucthbal? How can a temporary installation be part of a long term “pollination process” inspiring future actions and provoking newquestions? For the last day the structure will be activated with the portable oven, preparing food and creating a collective moment where the participants can share their thoughts about what happened during the week. LOVERS JUST FORONE DAY by Philippe Buchs & Angélique Kuenzle (SUJETS OBJETS/) I, I can remember (I remember) / Standing, by the wall (by the wall) / And the guns, shot above our heads (over our heads) / And we kissed, as though nothing could fall (nothing could fall) / And the shame, was on the other side / Oh we can beat them, for ever and ever - David Bowie Byproducts and Side effects The roads have produced an entire ecosystem yet to disappear. Petrol stations, car wash, parkings, drifts, neon lights, rodeos, rave parties and graffitis, the life under the bridges which carry the highways will be for one last time the hero of the performances to come. The workshop will be structured in three temporalities: We will explore the site by walking under and beside the highway. Wewill meet the users of the ring road, we will drive, we will dance, we will scream. A precise and sensible cartography of places under extinction will be made. A selection of the identified, condemned spaces will be made. They will consequently be activated through performances and architectural fragments. The experience will be immersive and beautiful. Just for one day.
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