36 Art historical and technological examination of four wooden architectural elements from the German Historical Museum, Berlin. KEYWORDS: cartouches, polychrome, architectural elements, Berlin City Palace, wood conservation Ta rhceh fi ot eccutsu roaf lt heel epmr oejnetcst fwr oams otnh et h“ eD ee xuat smc ihneast iHoins toofrfi os cuhr epsaMr tui aslel yu mp oBl yecrhl irno”m. Tehdew o o d e n eTxhtee nosbijveec tosbwj eecrtes hper easvui lmy saobillye do rai gnidn abtreo kf reonmi ntthoe sneov el or anlgpe ireecxeiss. t i n g B e r l i n C i t y P a l a c e . Oe xnpel oorf etdh et hrreosue ag rhcahr qt uhei ssttoi or incsa lwraess ewahr ceht haenr dt ht ee cchanrot ol ougcihceasl ifnovr me set idg aat si oe nt . sT. hAi s w a s claosntsterravcaetsioonf paonldycrhersotomrayt.ion proposal were developed with the aim of preserving the Ta nhdr efee sotfotohnes o. Tb hj eec tf os ua rr tehr ci cahr tl yo udcehc eo rqautiecdk lwy ittuhr fni eg du roeus t onf oRt ot mo ba ne ps ha iret l od f ht oh ledseerts ,avs oi ltui tse s ni novt eps ot ilgyactherdo mb ye cdoamn pd asrhi no gwcsrao sdsi -f sf eercet inotnosr on fa sma emnpt al et si otna .kTe hn ef rgor mo utph oe fs tahmr eeeowr naas mf uernt thael r ae xr eaams i. nTahtei oannsaal yntdi cpailgmmeetnhtoadns acl oy ns es si s. tTeod porf ems ei cnrtotshceo rpeys, uUl tVs evxi saumailnl ya, t ai odni,gbi ti anld i n g a g e n t rAetcroenasttmruecnttiopnlaonf wthaesladsetvpealoinpteldaybearsewdaosncrtheaetmeda.terial analysis results and following a sc eo rni sees rovfa ct il oe na noi fn tghaenodbcj eocntsso. Cl i do na tsieornv at et isot ns . Tmheea smuar iens fsohcouus l di s et nh teapi lrtehvee nc ot invseo l i d a t i o n o f tcho en sr ee rmv aa it ni os no af nt hder pe sotl oy rc ahtri oo mn ea cl taiyoenrss .s Tu chhi saiss cal enaenciensgs. aAr yg aprr ge er el sq, ua ims iot en gf os rt of ut hr tehre r mpoeltyhcohdros,mtuerunpepdeorumtotostblaeyaenr.adequate cleaning agent for the gilding and the Tt hhee dceasrttroouycehde sB ge irvl ient epsat li amc oe .nAy st oo nt hl ye vgerrayn fdeewu ro ob fj et hc et s f oh ramv ee sr uf ur vr invi es dh i tnhges doef st threu chtai ol l ns o f da nu sr wi negrWs tWo cI Ihaanndg et sh ei ns tuhbes edqeuc oe rnat tdi oenmcool int ci oenp ,t st htehsreo uwgahl l tohrentai mm ee sn tbsycraenv pe ar ol i vnigd ae sequence of paint layers and overpainting as well as additions and modifications. kirstin.friese[at]gmx.de and antonia.gerstener[at]online.de
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